First-ever compendium of indigenous technologies provides a powerful toolkit for climate-resilient design
Publication year
Resource type
UNCCD Library
Material Type
Web resource
The design field is at an inflection point. It must challenge its repertoire, rethink technology, and begin to see biodiversity as a building block of urban environments. Julia Watson’s lush and meticulous new book, Lo—TEK: Design by Radical Indigenism, provides a blueprint for sustainable architecture in the 21st century. For designers of the built environment, it is a first-ever compendium of overlooked design technologies from indigenous groups around the world. For the intrepid traveler or curious citizen, it is an invitation to know millennia-old societies thriving in symbiosis with nature thanks to local ingenuity, creativity, spirituality, and resourcefulness. For the indigenous groups represented, it is a source of satisfaction from seeing contemporary design scholarship catch up with their time-tested practices.
And for Watson, the book is a means to name, document, and create a toolkit for a design movement. “Lo-TEK,” is built on “lesser known technologies, traditional ecological knowledge (TEK) and indigenous cultural practices and mythologies,” as she writes in the book’s introduction. It explores the space where design and “radical indigenism” meet. Conceived of by Princeton professor and Cherokee Nation member Eva Marie Goutte, radical indigenism encourages us to look to indigenous philosophies to rebuild our knowledge base and generate new dialogues across genres. Watson is advocating a movement that merges these beliefs with design to yield sustainable and climate-resilient infrastructures.
Lo-TEK investigates that movement through its evidence base: more than 100 indigenous innovations from 20 countries. They are divided by ecosystem—mountains, forests, deserts, and wetlands—which underscores the link between the technologies and the environments and communities that gave birth to them. The Tofinu people of Benin’s wetlands built a city on stilts surrounded by 12,000 man-made aquaculture pens. The acadja, as the paddocks are called, house fish and wildlife that rival commercial aquaculture systems in scale and productivity but with better environmental benefits and none of the drawbacks.
And for Watson, the book is a means to name, document, and create a toolkit for a design movement. “Lo-TEK,” is built on “lesser known technologies, traditional ecological knowledge (TEK) and indigenous cultural practices and mythologies,” as she writes in the book’s introduction. It explores the space where design and “radical indigenism” meet. Conceived of by Princeton professor and Cherokee Nation member Eva Marie Goutte, radical indigenism encourages us to look to indigenous philosophies to rebuild our knowledge base and generate new dialogues across genres. Watson is advocating a movement that merges these beliefs with design to yield sustainable and climate-resilient infrastructures.
Lo-TEK investigates that movement through its evidence base: more than 100 indigenous innovations from 20 countries. They are divided by ecosystem—mountains, forests, deserts, and wetlands—which underscores the link between the technologies and the environments and communities that gave birth to them. The Tofinu people of Benin’s wetlands built a city on stilts surrounded by 12,000 man-made aquaculture pens. The acadja, as the paddocks are called, house fish and wildlife that rival commercial aquaculture systems in scale and productivity but with better environmental benefits and none of the drawbacks.
Keywords
indigenous knowledge
indigenous people
science and technology
climate risk management
resilience
mountain ecosystems
deserts
forests
wetlands
cultural resources
Web resource